Concert Review: Father Knows Best but La Donna Musicale Reign

Posted on March 19, 2012 by

La Donna Musicale, courtesy of Houston Early Music

If de Rossi‘s The Prodigal Son had been composed by a man, it wouldn’t have received such a sterling modern premiere on Saturday night.  Thank goodness for historical gender politics!

Here’s my review of La Donna Musicale’s performance in The Boston Musical Intelligencer:

La Donna Musicale: Erudite, Spirited Prodigal Son

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About Andrew J. Sammut

Blogs on hot jazz, eighteenth century hits and more pop of yestercentury. Also writes for All About Jazz, The Boston Musical Intelligencer and Early Music America.
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