Concert Review: It’s Not Called “Emmanuel ‘Music’” for Nothing

A Pretty Accurate Summary, bu Not Evaluation, of Mozart's Opera

Mozart’s La Clemenza di Tito is often critiqued for its dramatic shortcomings, yet Saturday night it was easy to forget “scholarship.”  Emmanuel Music turned out a powerhouse performance of Mozart’s penultimate opera, and all they needed was music!  Here’s my coverage in The Boston Musical Intelligencer:

Music Only, Mercifully, in Tito

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About Andrew J. Sammut

Blogs on hot jazz, eighteenth century hits and more pop of yestercentury. Also writes for All About Jazz, The Boston Musical Intelligencer and Early Music America.
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3 Responses to Concert Review: It’s Not Called “Emmanuel ‘Music’” for Nothing

  1. Bill Jones says:

    Nice concert review. Pretty simple yet so nice to read. Great job!

  2. Bill Jones says:

    I would love to. I am fan of reading nice concert reviews. You sure did a good job.

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