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- RT @NewHarpsichord: @YesterCentryPop @88Keezer You are not in the minority at all! I have a taste for Harpsichord pop also!As found here: h… 5 hours ago
- Watch the Earliest Known Footage of Louis Armstrong Performing Live in Concert (Copenhagen, 1933) cultr.me/14Ibye1 7 hours ago
- @88Keezer and Bach's concerto in d. & I really do like those Gramercy 5 records, though I think I'm in the minority. 7 hours ago
- Just kidding, @88Keezer, and I am listening right now. My favorite harpsichord work is the Boccherini "Fandango," arranged for two of them. 7 hours ago
- @88Keezer mocking the harpsichord? Bach and Gramercy 5 lovers, attack! 7 hours ago
- RT @88Keezer: @brainpicker Aw, c'mon, how can u hate the HARPSICHORD? A noble instrument w/rich history. Yeah, ur right. 7 hours ago
- @jriversmn Thank you for the RT! 17 hours ago
- Mozart and Self Expression: fakingit.typepad.com/faking_it/2008… 17 hours ago
- Fletcher Henderson, "Underneath the Harlem Moon" and Ready to Play Already wp.me/p10TzX-17g 18 hours ago
- @BerkleeCMN Love the new background! 1 day ago
- Almost at 500 Posts! wp.me/p10TzX-17a 1 day ago
- "Whatever Happened to Clarence Williams?" http://t.co/cGuICvNtHD 2 days ago
- MUSIC FOR JUNE 16: "THANK YOUR FATHER" wp.me/pckf2-5Pv via @jazz_lives 2 days ago
- RT @ClassicalToday: Playing Mozart — On Mozart's Violin npr.org/blogs/deceptiv… 2 days ago
- RIP my Labtec LT250 headphones after 13 (!) years of use. Great sound. It'll be odd listening to music without them! #MusicNerdProblems 3 days ago
- @annkpowers Always like to imagine 20s teens giggling & parents gritting their teeth to this one: youtu.be/Mxuhszlx144 3 days ago
- RT @annkpowers: Never forget there was a time when Trent singing "I wanna f u like an animal" was shocking. No more. #yeezus 3 days ago
- The Mysterious Motives of Shopping Center DJs wp.me/p10TzX-178 4 days ago
- RT @parterre: Idle hands react to the cover of the forthcoming Anna Netrebko Verdi CD. facebook.com/media/set/?set… http://t.co/g48h6WpF4E 5 days ago
- Mozart writes a jam session: Symphony Concertante KV297b, 3rd mvt. youtu.be/9V-RG1onicM 5 days ago
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Tag Archives: La Stravaganza
Domenica con Vivaldi: Even What Goes Rocketing All the Way Up…
Antonio Vivaldi (March 4, 1678-July 28, 1741) composed over five hundred concertos, yet Stravinsky joked that Vivaldi actually wrote the same concerto five hundred times. Many of the Venetian composer/violinist’s concertos display similar traits, making them instantly recognizable as the … Continue reading
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Tagged Allegro Assai, Antonio Vivaldi, bass lines, concerto in D Major, continuo only, counterpoint, Domenica con Vivaldi, duelling soloists, il prete rosso, imitations, La Stravaganza, Largo, Micaela Comberti, Opus 4, ritornello, RV204, Simon Standage, Stravinsky on Vivaldi, The English Concert, Trevor Pinnock, violin concerto, Vivaldi, Vivaldi blog, Vivaldi di domenica, why listen to vivaldi
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Domenica con Vivaldi: The Glowering Concerto
Antonio Vivaldi (March 4, 1678-July 28, 1741) composed over five hundred concertos, yet Stravinsky joked that Vivaldi actually wrote the same concerto five hundred times. Many of the Venetian composer/violinist’s concertos display similar traits, making them instantly recognizable as the … Continue reading
Posted in Uncategorized
Tagged Allegro, Andante, C Minor, Cadence, concerto, Concerto 10, concerto in A minor, deus ex machina, Domenica con Vivaldi, gelido in ogni vena, Jonathan Freeman-Attwood, La Stravaganza, minor key, modulation, Opus 4, Orlando Furioso, ritornello, Ruggiero, RV196, severe, Sol Da Te, Spiritoso, Stravinsky on Vivaldi, suspensions, tempo markings, violin concerto, Vivaldi, Vivaldi blog, Vivaldi di domenica, why listen to vivaldi
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Domenica con Vivaldi: Vivaldi, Meet James Joyce…No?
Antonio Vivaldi (March 4, 1678-July 28, 1741) composed over five hundred concertos, yet Stravinsky joked that Vivaldi actually wrote the same concerto five hundred times. Many of the Venetian composer/violinist’s concertos display similar traits, making them instantly recognizable as the … Continue reading
Posted in Uncategorized
Tagged 1904, Alma Oppressa, Bloomsday, concerto, concerto 9, Domenica con Vivaldi, Europa Galante, F Major, Fabio Biondi, His Master's Joyce, James Joyce, June 16, La Fida Ninfa, La Stravaganza, Leo Bloom, Opus 4, RV284, Stravinsky on Vivaldi, Ulysses, violin concerto, Vivaldi, Vivaldi blog, Vivaldi di domenica, Vivaldi pushing envelopes, vladi565, why listen to vivaldi, YouTube
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Domenica con Vivaldi: Throwback, Er, Kick Back and Relax
Antonio Vivaldi (March 4, 1678-July 28, 1741) composed over five hundred concertos, yet Stravinsky joked that Vivaldi actually wrote the same concerto five hundred times. Many of the Venetian composer/violinist’s concertos display similar traits, making them instantly recognizable as the … Continue reading
Posted in Uncategorized
Tagged Adrian Chandler, arpgeggio, C major, cadenza, California Music Academy, cello solo, concertino, concerto grosso, Concerto number 7, Corelli, Domenica con Vivaldi, Expert Village, going rogue, Hope Wells, il prete rosso, La Serenissima, La Stravaganza, Opus 4, ripieno, RV185, sequence, sonata da chiesa, staccato, stravaganze, Stravinsky on Vivaldi, The French Connection, tonic, viola parts, violin concerto, Vivaldi, Vivaldi blog, Vivaldi di domenica, Vivaldi imitates Corelli, waltribeiro, why listen to vivaldi
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Domenica con Vivaldi: Looking for Applause in All the Right Places
Antonio Vivaldi (March 4, 1678-July 28, 1741) composed over five hundred concertos, yet Stravinsky joked that Vivaldi actually wrote the same concerto five hundred times. Many of the Venetian composer/violinist’s concertos display similar traits, making them instantly recognizable as the … Continue reading
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Tagged A Minor, clapping after a solo, clapping at classical music concerts, clapping between movements, concerto, Concerto 4, continuo, descending fifth, Domenica con Vivaldi, il prete rosso, in the moment, jazz solo, La Stravaganza, Opus 4, ornaments, rhapsodic, ritornello, sequence, Stravinsky on Vivaldi, Vivaldi, Vivaldi blog, Vivaldi di domenica, when to clap, why listen to vivaldi
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Domenica con Vivaldi: The Fine Cliché of Art
Antonio Vivaldi (March 4, 1678-July 28, 1741) composed over five hundred concertos, yet Stravinsky joked that Vivaldi actually wrote the same concerto five hundred times. Many of the Venetian composer/violinist’s concertos display similar traits, making them instantly recognizable as the … Continue reading
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Tagged Anvil Chorus, arpeggios, Arte de Suonatori, cliche, concerto 3, Domenica con Vivaldi, fun, G major, il prete rosso, Jonathan Freeman-Attwood, La Stravaganza, Opus 4, power chords, Rachel Podger, ritornello, Royal Academy of Music, RV301, sequence, stock effects, Stravinsky on Vivaldi, unisons, Vivaldi, Vivaldi blog, Vivaldi conventions, Vivaldi di domenica, vivaldi same concerto, why listen to vivaldi
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Domenica con Vivaldi: Not So Slow but Plenty Steady
Antonio Vivaldi (March 4, 1678-July 28, 1741) composed over five hundred concertos, yet Stravinsky joked that Vivaldi actually wrote the same concerto five hundred times. Many of the Venetian composer/violinist’s concertos display similar traits, making them instantly recognizable as the … Continue reading
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Tagged Arte dei Suonatori, chase music, concerto 2, counterpoint, Domenica con Vivaldi, E minor, harmonic magic, La Stravaganza, Largo, major and minor key, Opus 4, Rachel Podger, RV279, stravaganze, timing in music, violin, violin concerto, virtuoso, Vivaldi, Vivaldi blog, Vivaldi di domenica, vivaldi's influence, why listen to vivaldi
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Domenica con Vivaldi: Start with Enjoyment and Go from There
Antonio Vivaldi (March 4, 1678-July 28, 1741) composed over five hundred concertos, yet Stravinsky joked that Vivaldi actually wrote the same concerto five hundred times. Many of the Venetian composer/violinist’s concertos display similar traits, making them instantly recognizable as the … Continue reading
Posted in Uncategorized
Tagged B Flat, classical era, Domenica con Vivaldi, English Concert, La Stravaganza, Lansdowne Street, lullaby, minor key, modulation, Opus 4, ritornello, seconds, sequence, Simon Standage, thirds, Trevor Pinnock, triple meter, violin concertos, Vivaldi, Vivaldi blog, Vivaldi di domenica, why isten to vivaldi
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